World Turbine

=Lyrics=

Japanese
鳴金一大吹打（ヨングミラテチーター）

世界タービン タービン 世界タービン タービン

朝の風は凄まじく　幾万もの声を消す 通り過ぎる人波に　遠い秘境の景色重ねても 見えぬ空の秘密よ　雨に灼けた往来で キミよ夢に何を見る (あー大丈夫よタービンが回るわ) (あー大丈夫よタービンが回るわ) キミの歌にめくるめく　古い無音の稲妻で

鳴金一大吹打（ヨングミラテチーター）

割れた壁に手を当てて　遥かキミを感じてた 海を渡る電光の　夢で焚いた火を囲んで待つ 聞こえぬ丘のリズムを 街を急ぐ警笛に　キミの歌もかすれて (あー大丈夫よタービンが回るわ) (あー大丈夫よタービンが回るわ) キミの歌にめくるめく　古い無音の稲妻で

世界タービン タービン　世界タービン タービン 世界タービン タービン　世界タービン タービン

大吹打（テチーター）大吹打（テチーター）

鳴金一大吹打（ヨングミラテチーター）

大吹打（テチーター）大吹打（テチーター）

朝の風は凄まじく　幾万もの声を消す 通り過ぎる人波に　遠い秘境の景色重ねても 見えぬ空の秘密よ 雨に灼けた往来で　キミよ夢に何を見る (あー大丈夫よタービンが回るわ) (あー大丈夫よタービンが回るわ)

世界タービン タービン　世界タービン タービン 世界タービン タービン　世界タービン タービン...

English
Yongmiluha Daechuita

The world turbine turbine The world turbine turbine

The morning winds are intense That vanishes tens of thousands of voices If I overlap the scene of the distant undiscovered places on the crowds passing by Still there is the invisible secret of sky On the street exposed to rain What do you see in your dream? (Ah It’s alright Turbine rotates) (Ah It’s alright Turbine rotates)I answer to your song With the sparkling old soundless lightning

Putting my hand to a cracked wall I was feeling you in great distance I sit around the fire fueled with the dream of the electric lights across the ocean And I wait for the unheard rhythm of hills By the pushing whistle in the town Your voice got hoarse (Ah It’s alright Turbine rotates) (Ah It’s alright Turbine rotates) I answer to your song With the sparkling old soundless lightning

The world turbine turbine　The world turbine turbine The world turbine turbine　The world turbine turbine

Daechuita Daechuita Yongmiluha Daechuita Daechuita Daechuita

The morning winds are intense That vanishes tens of thousands of voices If I overlap the scene of the distant undiscovered places on the crowds passing by Still there is the unsolvable secret of sky On the street exposed to rain What do you see in your dream? (Ah It’s alright Turbine rotates) (Ah It’s alright Turbine rotates) With the fire pillar fueled with the dream of electric lights that cross the ocean

The world turbine turbine The world turbine turbine The world turbine turbine The world turbine turbine

=Versions= The only single from this album and the first solo single. The song opens with the chanting of the Old Korean phrase "Ring the jing once and play Daechwita" (Myongumira Detsita (ミョングミラデツィタ)), used in its original context to mark the beginning of a procession. The chant first appeared on Fukō Project's "Fukō Sono Ni" (unreleased at the time, later on How about FUKO?), a correspondence experiment with 4-D's Kenji Konishi, who owns the source recording of the phrase and included it in the Fukō track. A promotional video was shot for the song, it features a mix of surreal imagery and 3D models made on an Amiga, Hirasawa appears through the video by chroma key, dressed with the costume used on the album's cover, while doing an action or holding an object, such as a light bulb (which at times is lit and at times it isn't), a fish (held as if it was a telephone) and a model car (Hirasawa used to collect model cars when younger because he liked their paint ), the Computer Graphics used in the music video were included in the PHOTON-2 video under the title "Wireframes & 2Dimensional effects". On error, the coda segues directly into "Cowboy and Indian", while on error CD, a fade-out is applied to it, since "Cowboy and Indian" was omitted from it. Only the beginning and the end of the song were included, with Hirasawa talking about the making of the Interactive Live Show in-between them. The wind synth part is played on sax, and the female vocals are in the Togawa style. Rearrangement in the P-Model style, titled "World Turbine 2". Starts out with a thunder sample, which repeats in the sampled vocal parts. From there it goes to just the synth-bassline (which goes from speaker to speaker but is mostly panned left), the synth-strings are added on top, then the beat and the song unfolds. The chorus has vocal tracks by Hirasawa in his standard range and doubled with wavering falsetto. All vocals have effects on them. The synth-string flourishes in the female vocal parts pan from speaker to speaker. After the bridge a chiptune line pops up. Hirasawa's standard range vocals have no effects applied to them. The vocal and thunder samples happen at slightly different rates than the studio version as they were played through the Graviton.
 * The Ghost in Science, 1990
 * Susumu Hirasawa - vocals, all instruments
 * Tuan Chin Kuan - voice (sampled)
 * Kaoru Kinjo - female vocals
 * error/error CD, 1990
 * Susumu Hirasawa - vocals, electric guitar
 * Kaoru Kinjo - female vocals (sampled)
 * Hikaru Kotobuki, Kazuhide Akimoto - keyboards, backing vocals
 * Katsuhiko Akiyama - bass, backing vocals
 * Kazutoki Umezu - wind synthesizer
 * Shingo Tomoda - drums, electronic percussion
 * Orchestral Manoeuvres in the Nurse - strings, horns
 * making of tokyo paranesian, 1994
 * TAKA - keyboards, backing vocals
 * Toshihiko "BOB" Takahashi - fretless bass, backing vocals
 * Wataru Kamiryo - drums
 * HIRASAWA error ENGINE - Hirasawa Three Acts in Three Hours: Lower, 1994
 * Jun Togawa - female vocals
 * TAKA - keyboards, backing vocals
 * Toshihiko "BOB" Takahashi - fretless bass, backing vocals
 * Kazutoki Umezu - alto saxophone
 * Tadahiko Yokogawa, Youko Honji - violins
 * Solar Ray, 2001
 * Susumu Hirasawa - vocals, all instruments
 * Tuan Chin Kuan - voice (sampled)
 * Kaoru Kinjo - female vocals (sampled)
 * Live Solar Ray, 2001