Ocean of Storms

Named after Oceanus Procellarum, the largest lunar mare, which forms the tail and back half of the moon rabbit. The official translation of the song's title, "Stormy Sea", obfuscates the allusion.

Versions
Written in the style of P-Model openers. Has a more dance-oriented style, with all-new synth tones and a drum machine figure on top of the original beat. Also features wordless chanting in the last bars. Hirasawa plays around on his guitar between stanzas; the solo starts out similarly to the Virtual Rabbit version but goes different places. The bassline is slightly altered on the coda, with a new figure played at the end of each bar. Has a debayashi intro. Has all-new synth tones, except for the core horn melody. The "meguru" right before the solo has an echo effect, and the solo itself is an unique destroy type. Variation of the Phonon 2550 Live version with extended intro. There's no echo on the "meguru", and solo is different (although still a destroy type).
 * Virtual Rabbit, 1991
 * Soft Ballet meets Susumu Hirasawa, 1991
 * Making of Tokyo Paranesian, 1994
 * Phonon 2550 Live, 2007
 * The Way of Live 2: The Magic for Introduction, 2014